{"id":347,"date":"2025-02-20T14:13:17","date_gmt":"2025-02-20T14:13:17","guid":{"rendered":"http:\/\/johyeonsu.com\/?page_id=347"},"modified":"2026-10-16T06:54:06","modified_gmt":"2026-10-16T06:54:06","slug":"text","status":"publish","type":"page","link":"https:\/\/johyeonsu.com\/?page_id=347","title":{"rendered":"text"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/johyeonsu.com\/?p=1024\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/johyeonsu.com\/wp-content\/uploads\/2026\/03\/\ub4dc\ub85c\uc789\ub8f8_\uc870\ud604\uc218_\uc804\uacbd01Display-P3-1024x683.jpg\" alt=\"\" class=\"wp-image-885 size-full\" srcset=\"https:\/\/johyeonsu.com\/wp-content\/uploads\/2026\/03\/\ub4dc\ub85c\uc789\ub8f8_\uc870\ud604\uc218_\uc804\uacbd01Display-P3-1024x683.jpg 1024w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2026\/03\/\ub4dc\ub85c\uc789\ub8f8_\uc870\ud604\uc218_\uc804\uacbd01Display-P3-300x200.jpg 300w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2026\/03\/\ub4dc\ub85c\uc789\ub8f8_\uc870\ud604\uc218_\uc804\uacbd01Display-P3-768x512.jpg 768w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2026\/03\/\ub4dc\ub85c\uc789\ub8f8_\uc870\ud604\uc218_\uc804\uacbd01Display-P3.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>A Field of Living Matter: The Formative Convergence of Human and Nonhuman Media<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jae-hwan Kim, Curator, Gyeongnam Art Museum<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"http:\/\/johyeonsu.com\/?p=65\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-1024x683.jpg\" alt=\"\" class=\"wp-image-663 size-full\" srcset=\"https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-1024x683.jpg 1024w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-300x200.jpg 300w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-768x512.jpg 768w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-1536x1024.jpg 1536w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/\uc0c1\uc138\ucef71-8-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Jo Hyeonsu\u2019s Achievements: <\/strong><br><strong>Nature Blossoming into Trans-Ink Chromoluminism<\/strong><br><br>Geun-jun Chungwoo-Michael Lim, Art &amp; Design Historian<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"http:\/\/johyeonsu.com\/?p=67\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"http:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/A-complete-landscape-2023-copper-foil-on-korean-paper-390x700x1500cm-5-683x1024.jpg\" alt=\"\" class=\"wp-image-349 size-full\" srcset=\"https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/A-complete-landscape-2023-copper-foil-on-korean-paper-390x700x1500cm-5-683x1024.jpg 683w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/A-complete-landscape-2023-copper-foil-on-korean-paper-390x700x1500cm-5-200x300.jpg 200w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/A-complete-landscape-2023-copper-foil-on-korean-paper-390x700x1500cm-5-768x1152.jpg 768w, https:\/\/johyeonsu.com\/wp-content\/uploads\/2025\/02\/A-complete-landscape-2023-copper-foil-on-korean-paper-390x700x1500cm-5.jpg 1000w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong><br>Cross-sections of changing space and time <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lee Sunyoung Art Critic<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A Field of Living Matter: The Formative Convergence of Human and Nonhuman Media Jae-hwan Kim, Curator, Gyeongnam Art Museum Jo Hyeonsu\u2019s Achievements: Nature Blossoming into Trans-Ink Chromoluminism Geun-jun Chungwoo-Michael Lim, Art &amp; Design Historian Cross-sections of changing space and time Lee Sunyoung Art Critic<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"hide_page_title":"","_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-347","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/pages\/347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johyeonsu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=347"}],"version-history":[{"count":9,"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/pages\/347\/revisions"}],"predecessor-version":[{"id":1027,"href":"https:\/\/johyeonsu.com\/index.php?rest_route=\/wp\/v2\/pages\/347\/revisions\/1027"}],"wp:attachment":[{"href":"https:\/\/johyeonsu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}